I went to the Peter, Bjorn and John show at the Wexner Center this evening. It was a good time. Two other bands warmed up: All-female synth-pop trio from Brooklyn, Au Revoir Simone and Fujiya and Myagi, who are neither Japanese nor a duo. F&M are another trio of musicians from England. Au Revoir Simone was well received, and group member Annie even commented on how attentive we all were. I've said it before and I'll say it again. The audience is attentive at the Wenxer because they don't sell booze. Just takes a few assholes to have a few too many, and then they decide they need to be a part of the show.
Annie was working the merch table on my way out, so I gave her a pat radio card and let her know I enjoyed their set and that their discs are in my rotation. She seemed happy to hear that. She was polite, anyway, and thanked me for coming out to the show.
Fujiya and Myagi got the crowd moving a bit more, thanks to funky bass and guitar work. "Collarbone" was probably the highlight of their set. Both openers clocked in at around 30 minutes.
Peter, Bjorn and...the guy on drums took the stage about 20 minutes after Fujiya and Myagi finished up. I had wondered earlier in the day why John didn't make it to the on-air Big Room performance at CD-101, and then, as it turned out, I got to the show tonight too early and had time to go to the autograph session ( Which NO ONE must have known about), and there were only Peter and Bjorn. An acquaintance told me he heard that John stayed back in Sweden, where he's apparently in high demand as a sessions drummer.
Whoever it was on drums filled in ably. Funny bunch of fellows, particularly bassist Bjorn. They played some numbers off their earlier album,
Falling Out, as well as most of the higlights from
Writer's Block. They brought Doug, the driver for Au Revoir Simone - and insiders tell me, a member of NYC band Dirty On Purpose, up to play bongos on "Young Folks", and Heather of Au Revoir Simone helped out with the female vocals on the tune that everyone came to hear. "Up Against the Wall" closed the set in rollicking fashion, and unfortunately, because of the curfew at the Wexner, the band could only come back for one encor. Their set list, which I grabbed, had two other songs listed.
Here's some pics. I was seated in the balcony. I used a flash until an usher told me I was not allowed. So the first batch of pictures are sharper, but I had to boost the brightness. The others suffer from blurred motion. Heather is all blurry in my shot of "Young Folks", but that's the best of the lot during that song.
So...do PB&J suck live? I would say absolutely not. Listen to all the songs on
Young Folks, get a feel for what this band is really all about, and don't come expecting a note-for-note perfect rendition of their super smash hit.
Au Revoir Simone
Fujiya & Miyagi
Peter, Bjorn and John