...last Friday night. I'll try to document my memories before they become a week-old.
First of all, here's some pics of Colin Meloy and Jenny Conlee from the show. These pictures come courtesy of
H-Bomb over at
ThaBombShelter. He has more pictures there and a pretty thorough review. He was a bit closer to the stage and apparently surrounded by more drunk assholes than I was. The behavior he describes in his post is pretty much par for the course of any Columbus show at which buckets of Bud Light are for sale. Also, it turns out H-Bomb and I know each other in real life, but that's a story for another time perhaps.
Colin and co. pretty much served up the latest record,
The Crane Wife, and older tunes were few and far between. I didn't mind so much as the new tunes are pretty good. The first highlight of the evening was the disco-inspired "Perfect Crime 2", during which Colin divided the crowd on the floor into three groups. One group was supposed to mosh, the other disco-dance, and the third African folk-dance. "You're sewing the seed," Meloy told the third group. Colin also slipped a couple lines from the Smiths' "The Queen Is Dead", which fit perfectly into the song and were completely lost on the 20-somethings surrounding me.
Later Meloy grabbed a cell phone from the crowd and sang a verse of "The Culling of the Fold" into someone's voicemail. Then there was the "La-dee-dah-dee-dah-dee-do-dee-dah-dee-dah" contest during "Sixteen Military Wives", and they ended the show with "A Cautionary Song", which featured Chris Funk, John Moen, and multi-instrumentalist / back-up singer Lisa Molinaro (of the Portland duo Talkdemonic) entering the crowd with a drum and percussion instruments. When they reached the center of the pit, not far from where I was standing, Meloy directed us to make room for them as they selected members of the audience to help them re-enact the battle of Gallipolis. It was a kooky bit, but at least they didn't retread the whole whale bit that they did for "The Mariner's Revenge Song" on their '05 tour.
I just read a couple recent online reviews of the Decemberists shows in Chicago and New York. Both critics disparaged these antics as rock-show grand-standing, that the serious subject matter of the songs demanded a more serious demeanor from Meloy. Whatever. The band was tight and the audience had fun. What more could one ask for?
It was also "bag on Death Cab" night, as Meloy made several disparaging comments about the band that was due to play the LC pavillion three nights after them. "How many of you have bought tickets for that show? It's too late now. They've got your money and they're laughing all the way to the bank." Meloy later admitted that they love "the boys from Bellingham", and they ought to, as Chris Walla of DCFC co-produced
The Crane Wife.
And for the record, I liked hearing "July, July" and "Red Right Ankle", two songs which were left off of their set when they played last in Columbus. The crowd didn't piss me off that much, even with the people who barge by you and insist, "I just have to get back to my friends up there. Sorry." Bullshit. Just admit that you're rushing the stage at the last minute and inconveniencing the people who have paid their dues and stood here for two hours already. I could have done without the guy who kept yelling "Capital records, yeah!" Like it was some sort of "you're a bunch of sell-outs" commentary or something. And to the drunk dipwads who tried starting up the "OH-IO" chant during a lull in the set, do you people ever quit with that shit? Evar???